British archaeologist aims to pinpoint Nefertiti’s tomb

by Tony Gamal-Gabriel via “Yahoo News!“

Standing before the majestic gold, ochre and white frescos of Tutankhamun’s tomb, British archaeologist Nicholas Reeves on Monday passionately defended his daring theory that Nefertiti is buried in a secret chamber.

With the help of a sophisticated radar, Reeves aims to prove Nefertiti is buried there in a hidden chamber of the young pharaoh’s underground tomb that long hid the most fabulous treasure ever discovered in Egypt.

Archaeologists have never discovered the mummy of this legendary beauty who played a major political and religious role in the 14th century BC.

Nefertiti actively supported her husband Akhenaten, the pharaoh who temporarily converted ancient Egypt to monotheism imposing the single cult of sun god Aton.

Reeves’s theory is that Nefertiti is buried in a room adjacent to the tomb of Tutankhamun, the son of Akhenaten.

According to Reeves, the boy king, who died unexpectedly at 19, was buried in a rush in an underground burial chamber that was probably not intended for him.

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British Egyptologist Nicholas Reeves talks to journalists before visiting the burial chamber of King …

His death would have forced priests to reopen Queen Nefertiti’s tomb 10 years after her death because the young pharaoh’s own had not yet been built, Reeves said at Tutankhamun’s tomb in the Valley of the Kings in Luxor, southern Egypt.

In the burial chamber, just a few steps away from the darkened mummy of the boy king who died in 1324 BC after just nine years on the throne, the archaeologist pointed to a fresco representing Tutankhamun and his successor Ay.

– Radar to scan the walls –

Circled by archaeologists and officials from Egypt’s antiquities department, Minister of Antiquities Mamduh al-Damati listened attentively to the expert from the American University of Arizona as Reeves said the frescos in the chamber could conceal two secret doors.

“The theory is a very good theory but it doesn’t mean it’s true. The best theories don’t always work,” he added with caution, in the midst of the Valley of the Kings where on November 29, 1922 another British Egyptologist, Howard Carter, discovered Tutankhamun’s tomb. . . . .

 

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Art I Love ~ Street Art

How an illiterate woman wrote love letters to her migrant husband in 1973

by Annalisa Merelli via “Quartz“

Being far from the people you love is one of the most challenging experiences in life, even with today’s cheap and easy trans-continental video-calls. So one can only imagine how hard it was for our ancestors not so long ago, when international phone calls were luxuries and the only way to keep in touch by writing letters that took days, sometimes weeks, to arrive.

And that’s assuming they could write.

In the 1970s, 5.2% of Italy’s population was illiterate. Most of those who could not read or write were women in rural areas. One, we know now, was a mother of three, likely from the area around Catania, on the eastern side of Sicily. Her story has made history, thanks to a poignant 1973 letter written entirely in pictures, discovered by the Sicilian writer Gesualdo Bufalino.

(Copyright Eredi Gesualdo Bufalino. All right reserved, managed by The Italian Literary Agency, Milan)

The letter was addressed to her husband, explains Bufalino in his bookLa Luce e il Lutto (“Light and Grief,” link in Italian), a migrant worker abroad in Germany.

To preserve the intimacy of their correspondence, she did not ask for help in composing the letter in Italian. Instead, writes Bufalino, the woman and husband developed their own secret code. Bufalino, reportsItalian online publication Il Post (link in Italian), was able to retrieve one of their letters and translate the symbols into words:

Here is his translation—rendered in English by Quartz, and republished below in the original Italian:

My dear love, my heart is tormented by your far away thought, and I stretch my arms toward you, together with the three kids. All in good health, me and the two older, unwell, but not seriously, the little one. The previous letter I sent you didn’t receive a reply, and I am sad about it. Your mother, hit by a disease, is in the hospital, where I go visit her. Do not worry that I go there empty-handed; or alone, generating gossip: our middle son comes with me, while the oldest looks after the youngest.

Our little field, I ensured that it was ploughed and sown. To the two daily workers, I gave 150,000 lire [about €500, or $560 today] . The town elections were held. I voted for the Christian Democracy, as the parish suggested. For the Hammer and Sickle, the defeat has been huge: as if they died, in a coffin. . . . .

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What the Internet’s free culture has cost us in art

via “PBS Hours“

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The art of Burning Man: skeletons, temples and flaming Tetris

by Steven W Thrasher via “The Guardian“

Burning Man is not the typical place people would go to view art in the “default world” (the term “Burners” have for the “muggle world” those of you who are not here in Black Rock City inhabit). It’s extremely hard to get here – far less accessible than most public municipal art – and upon arrival, it is more physically inhospitable than the most uptight New York art gallery.

It’s so filthy here that the least dusty place you visit each day is a port-a-potty, and the cleanest part of your body is the inside of your shoe – not exactly the way you feel when visiting the Museum of Modern Art.

But Burning Man is a launching site of the most interesting and fun large-scale public art, architecture and public planning projects on the face of the planet. Many pieces get major exposure here before being placed elsewhere. Long before the Big Rig Jig hovered in Banksy’s Dimsaland, the Raygun Gothic Rocket Shiplanded in San Francisco, or Cube-a-tron arrived in Zurich’s train station, I saw it years ago here on the playa.

Burning Man is also a beautiful locale for viewing the bigger picture, from the curvature of the earth to the stars and the moon. And, for all the tech-enabled festivalgoers (or “burners”) among the 70,000 people in attendance this year, cell service is so poor that it’s very rare to see people holding phones or even taking pictures. The experience of looking at art and nature without a screen – and actually talking to other people about it – makes the festival a great way to experience new works.

Here’s a guide to a few of this year’s most interesting art and architecture projects, large and small – not including the Burning Man himself, immolated on Saturday night. If you can’t imagine schlepping all the way into the desert to see them, it’s OK: some of the ones not burned to the ground may very well be coming to a public plaza near you.

Straightedge and 2πR by Ardent Heavy Industries
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One of the most ambitious project at this year’s burn – and at 2.6 miles long, the physically largest project ever built here – is the cerebral but playful Straightedge by Ardent Heavy Industries. Straightedge illustrates the curvature of the earth, and dispels our visual assumption that any stretch of the planet is as flat as it looks. The collective of artists achieves this by placing poles 50 feet apart for 2.6 miles, each adorned with two LED lights controlled by satellite to blink in unison. At one end of Straightedge, the lights are right next to each other. But one line of lights follows the surface of the actual earth: the other is actually straight. At first, the two lines start to drift apart incrementally by inches. By the end of the 2.6 miles, they lines are about five feet apart, and shattering the idea that the flat looking playa is so level after all.

Ardent Heavy Industries also returned to Burning Man this year with an updated version of 2πR, a delightful interactive piece where users dance on a circular stage and their movements create corresponding bursts of flames around them. It’s a slightly safer cousin of AHI’s infamous piece Dance Dance Immolation, in which participant would dance in a flame-retardant suit; when they put a foot wrong, they would be blasted by fire. (As Ardent member KC Crowell explained, Dance Dance Immolation won the Guinness Record for Hottest Video Game and the project was destroyed in a blaze of glory “by dropping a piano on it” a couple of years ago.) . . . .

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