Month: October 2015

The ‘Epic of Gilgamesh’ revised

“The ‘Epic of Gilgamesh’ revised”

by  Ellie Zolfagharifard via “Daily Mail

A missing chapter has been found for one of the first great works of literature.

Researchers have discovered a new clay tablet that adds 20 previously unknown lines to the ‘Epic of Gilgamesh’.

The famous poem, which dates back to 2100 BC, tells the story of Gilgamesh, king of Uruk, and Enkidu, a man created by the gods to stop him from oppressing the people of Uruk.

The new lines from the poem were discovered by accident when a history museum in Iraq made a deal with a smuggler to purchase a set of 80 to 90 clay tablets.

The Sulaymaniyah Museum in Slemani had been involved engaging in these dealings as a way to regain valuable artifacts following the Iraq War, according to Ancient History Et Cetera.

Farouk Al-Rawi, a professor in the Department of Languages and Cultures of the Near and Middle East at the School of Oriental and African Studies (SOAS) in London was the first to spot the tablet.

After realising its significant, he purchase the block of clay, which featured cuneiform writing, for $800 (£530).

It is 11cm (4.3 inches) high, 9.5cm (3.7 inchs) wide and 3cm (1.2 inches) thick and reveals a previously unknown ‘chapter’ of the epic poem from ancient Mesopotamia.

Mesopotamia was an ancient region in the eastern Mediterranean bounded in the northeast by the Zagros Mountains and in the southeast by the Arabian Plateau.

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History of Our World: The Korean Origins and Foundations Myth

Korean legends are a fascinating world to immerse yourself in–of course as an avowed student of Myths and Mythology, I could perfectly happily spend my entire life in the fantastic world of eastern stories.  Of a particular interest to me are the origin stories of creation and cultures, a passion which led me to research the Korean story of creation and the Korean culture’s origins.

Mythology and stories about the beginning of the world can be divided into two categories ~ 1) Creation Myths which tell of the origin of the world and 2) Foundation Myths, a subset of the Creation genre, which more specifically relate the origin of a people, nation, or culture. 

As one of the great ancient peoples, it is only natural that much of Korean myths come through to us in the oral tradition.  Still, Koreans do not have much in the way of “Creation of the Earth” myths ~ most of their stories and legends presume that the world was already in existence when the tales begin.  

There are a few minor oral tales that claim the world began (as so many origin stories hold) in a time of utter chaos and an absence of any type of creation or order.  The stories go on to say that suddenly a crack appeared in the heavens, dividing the earth from the skies.  But those are very minor, basic tales lacking any deep specifics or embellishments.  

Rather, Korean myths tend to fall into the realm of Foundation Myths ~ sharing the origins of Korea and the Korean peoples. There are several variations, of which the most popular is the Myth of Tangun, which speaks of Hwangun, a beautiful character of strength and eternal goodness.

Once upon a time, many centuries ago, the great Heavenly God Hwanin had a noble son whose name was Hwangun.  Hwangun had looked upon earth and fell in love, wishing greatly for the chance to come to earth and rule over it so that it might prosper.  After learning of his son’s desire and examining the situation on earth, Hwanin decided that his son’s leadership would benefit the earth and so decreed that Hwangun should go to earth and take charge.

Before he left, Hwanin gave his son three Treasures from Heaven that would signify his authority and right to rule.  Taking these with him, Hwangun finally embarked on his great mission.  Taking 3000 spirits with him Hwangun first alighted on a mountain in Myohyangsan, a place in the modern-day North Korea.

Along with his great assistants, the spirits of the wind, rain, and cloud, Hwangun began implementing his leadership and guided the earth into a time of prosperity and splendor.  

After some time had passed, Hwangun began to be pestered by a tiger and bear who came visiting him and begging for human forms.  Taking pity on them, Hwangun set before them a test~ they were to fast for 100 days and then they would receive their human bodies.  Now, the bear was very diligent and passed the test, finally transforming into a female and enjoying her new form. The tiger was not so steadfast and failed to transform.  But the bear was greatly saddened, for she realized that there was no one on earth for her to mate with and thus no children would come to her.  So daily, she went to the alter and pleaded with the Heavens to provide her with a child.

Once again feeling pity for the tragic bear-woman, Hwangun transformed himself into a human form and married the woman.  Together they had a son, who they named Tangun.  Tangun was the man who, in the time of Emperor Yao (one of the Five Emperors of China in the 2300s-2200s BC), established the first human Korean city in Pyongyang and the first Korean dynasty~ the Choson dynasty.

There are of course several variations of this initial story, but this is the tale in its original and most basic form. Even, to me, the most beautiful form.  

What do you think? Does this sound familiar to your culture’s foundation myth? Any themes or similarities that cross cultural bounds?  Let me know in the comments!

If you are interested, this story is some-what re-told (with major alterations) in the Korean drama “The Legend“~ it’s a great watch, both for the beautiful storyline and insight into Korean cultures/ideology.

Coming Exhibition: The Great Terracotta Army of China’s First Emperor

“The Great Terracotta Army of China’s First Emperor”

The Great Terracotta Army of China's First Emperor

Who:  

Tokyo National Museum

When: Oct. 27, 2015 – February 21, 2016 (Usually open Tuesday through Sunday until 5:00 PM)

Where: 

Tokyo National Museum
13-9 Ueno Park, Taito-ku,
Tokyo, 110-8712, Japan

More Information: Here.

About 2,200 years ago, Qin Shi Huang succeeded in unifying China and became its First Emperor. His legacy is preserved in a vast terracotta army, the discovery of which is considered the greatest archeological find of the 20th century, and which continues to arouse wonder and provide new knowledge. With assistance from institutions such as the Shaanxi Cultural Heritage Promotion Center, this exhibition brings together artifacts with connections to the First Emperor while exploring the “everlasting world” of his terracotta army and its mysteries

Take in long-lost, wartime art attributed to Chihiro

“Take in long-lost, wartime art attributed to Chihiro”

by “The Japan News

The Yomiuri ShimbunThree long-lost paintings believed to have been produced by the popular picture book author Chihiro Iwasaki (1918-1974) are on display at her namesake museum in Tokyo.

The works were discovered last year at the Nippon seinenkan (foundation of Japan-youth center) in Tokyo. One of the three works is making its public debut at the ongoing exhibition, titled “Commemorating 70 Years of Non-war — Chihiro’s Wish for Peace,” at the Chihiro Art Museum Tokyo in Nerima Ward.

The discovery was significant because many of the artist’s works created before and during World War II were lost in air raids.

“We want people to think about the war through Chihiro’s works, which were produced at a time when people were not allowed to freely create art,” said a museum official. . . . .

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Colombian carnival meets Korean folk art

Colombian carnival meets Korean folk art”

via “The Korean Herald

Colombian pair of traditional artists visited Korea A in September to showcase the country’s carnival music and dance and engage in a cultural exchange with Korean artists. Dancer and researcher Maribel Egea Garia and instrumentalist and professor Jarry Jose Julio Arjona came to Korea on Sept.At the request of the Colombian Embassy 8, and performed at schools and events across the country.They also took lessons on traditional Korean music and dance, provided by the Korean Classical Music Corporation.

Both are natives of Barranquilla, a city in northern Colombia by the Caribbean Sea that is famous for its carnival in February. The four-day festival is considered one of Latin America’s three major carnivals, along with those of Rio de Janeiro and Miami. Declared a National Cultural Heritage by the Congress of Colombia in 2001 and recognized by UNESCO in 2003, the event has become a universalby incorporating cultural influences over waves of celebration the years. “The carnival is a cultural melting pot, mixing the legacies of Spanish colonialists, African slaves and their accompanying South American natives,” Garia told The Korea Herald. “It passionately fuses the different elements, which manifest themselves in characteristic ways during the festivity.” As various ethnicities and groups live harmoniously in Colombia, no apparent tensions or conflicts exist between them, Arjona said. People the PREPARE for the event for weeks or months on end, depending on their roles, he said, with the exception of few native tribes who live deep in the forests in the Sierra Nevada de Santa Marta region – the Kogis, Arawakas and Wayuus. “They have the Colombian national identity in their heart, but been largely outliers to the event due to their culturally indigenous ways of life.” According to Garia, the carnival originated from cultures surrounding the Caribbean Sea. The most famous dance is “la cumbia,” comprised of a pair of male and female dancers, the WHERE the man makes moves that resemble seducing his female partner, she said. Arjona said that spectators can “indirectly” participate from the side of the road , singing and dancing, taking photographs and interacting with other crowds, but can not jump into the carnival. Barranquilla lies next to the Magdalena River delta facing the Caribbean, and has served as a strategic port for the riverside and maritime industries. . . .

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