Exhibit

Coming Exhibition: Future Returns

“Future Returns: Contemporary Art from China”

08 Jin Yangping, “The Mirror of City No.1”, oil on canvas, 200 x 265 cm, 2011

Who:  

Eli and Edythe Broad Art Museum

Michigan State University

When: Oct. 28, 2014 – March 8, 2015 (Hours Vary)

Where: 

Eli and Edythe Broad Art Museum
547 East Circle Drive
East Lansing, Michigan 48824

More Information: Here and Here.

Over the past three decades China has experienced profound socioeconomic changes that have prompted calls to revisit, reconsider, and redefine the nation’s identity. Although there remains a strong local understanding of Chinese history and heritage, the homogenization of the country’s urban geography and the rapid dissipation of rural life have dramatically altered the cultural landscape. Future Returns: Contemporary Art from China explores the impact of these transformations by bringing together works by contemporary Chinese artists that address China’s metamorphosis from a traditional society into an ultra-modern nation-state.

The pertinent question in today’s China is whether the country’s distinct traditions and values can continue to play a role in its development. The future of China cannot be predicted, yet the psychology of “change, change, change” that pervades the everyday lives of the Chinese allows for a multitude of possibilities. Only in the pursuit of these new potentialities will China be able to build on its distinctive culture. The focused selection of paintings, photographs, installations, and digital art in this exhibition showcases the vision of both emergent and established practitioners who have contributed to China’s celebrated artistic community. Through their works, Future Returns highlights the emergence of a new China, one that is not constrained by closed readings of the past.

Artists and filmmakers featured in the exhibition include: Chen Weiqun, Dong Jun, Geng Yi, He Yunchang, Jiang Ji An, Jin Yangping, Jizi, Li Junhu, Lin Xin, Liu Lining, Meng Baishen, Miao Xiaochun, Pei Li, Qu Yan, Sui Jianguo, Su Xinping, Tian Bo, Wang Chuan, Wang Huangsheng, Wang Yang, Xia Xiaowan, Xu Bing, Zhang Yanfeng, Zhou Gang, and Zhou Qinshan.

Coming Exhibition: Collecting Asian Objects in Colonial Korea, 1910-1945

“Collecting Asian Objects in Colonial Korea, 1910-1945”

Lady riding a horse, Astana Tombs, Turpan, 7th-8th century, color on clay, 38.5cm high.

Who:  

National Museum of Korea

When: Oct. 28, 2014 – January 11, 2015 (Hours Vary)

Where: 

National Museum of Korea
137, Seoubinggo-ro (168-6, Yongsan-dong 6-ga)
Yongsan-gu, Seoul 140-797

More Information: Here and Here.

In the late nineteenth century, as Western powers expanded deeper into Asia, the cultures of the East were eagerly commodified to satisfy westerners’ penchant for the exotic. Tomb thefts were just as prevalent as legitimate archeological investigations. With the concurrent boom in the antique market, the acquired artifacts were smoothly incorporated into the category of ‘fine arts’.
At the center of this movement were museums established through the emergence of modern states. Korea, however, was unable to play a leading role in the current of this era. At the time, Japan regarded itself as the only civilized country in Asia, and thus the only country capable of leading the primitive East into modern civilization. Based on this belief, Japan re-interpreted the histories of other Asian countries from its own perspective and attempted to promote these historical revisions through museums.
Notably, the so-called cultural assets collected in museums at that time originated from all across Asia, ranging from Central Asia to China and Japan. Why did Japan collect cultural assets from other Asian countries under its colonial rule? This exhibition represents the first step of a long journey that will yield both a question and a corresponding answer about our museum’s collection of Asian cultural assets and its origins.

Coming Exhibition: Loving Devotion: Enter the Mandala

“Enter the Mandala”

Asia

“Taima Mandala” (1300s – 1400s)

Who:  Asian Art Museum

When: Mar. 14, 2014 – Oct. 26, 2014 (Tues-Sun. 10 a.m. – 5 p.m.; Thurs. 10 a.m. – 9 pm.)

Where: 

Asian Art Museum
200 Larkin Street
San Francisco, CA

How Much:  

  • Adults ~ $15
  • Seniors, Students, Youth ~ $10

More Information: Here.

“Mandalas are maps of Buddhist visionary worlds.

Minutely detailed and saturated with philosophical meaning, these works (most often paintings or sculptures) are a feast for the eyes and the mind—nested squares and circles are arrayed to represent the center of the cosmos and the four cardinal directions. For Buddhist practitioners, however, mandalas are not just images to view, but worlds to enter—after recreating the image in their mind’s eye, meditators imaginatively enter its realm.But is it possible to have this experience without years of meditative discipline?  

Enter the Mandala
says yes. In this exhibition, 14th-century paintings align a gallery with the cardinal directions, transforming open space into an architectural mandala—a chance to experience the images in three dimensions, to dwell in the midst of the cosmic symbols and be transported to another world. Visitors can literally “enter the mandala,” exploring places in the cosmos—and perhaps themselves—that might otherwise remain invisible. “

Coming Exhibition: Loving Devotion: Visions of Vishnu

“Loving Devotion: Visions of Vishnu”

Vishnu with Attendants, Bangladesh, 12th century, schist (stone), Collection of the Newark Museum

Vishnu with Attendants, Bangladesh, 12th century, schist (stone), Collection of the Newark Museum

Who:  BYU Museum of Art

When: Sept. 5, 2014 – Feb. 21, 2015 (Mon-Sat. 10 a.m. – 9 p.m.)

Where: 

Brigham Young University Museum of Art
North Campus Drive
Provo, Utah 84602

How Much:  Generally Free, some special exhibits require a ticket.

More Information: Here.

“Featuring a variety of exquisite art objects from the Indian subcontinent, Loving Devotion illuminates the rich heritage and symbolism of Hindu worship in the lives of believers, immersing viewers in the beliefs and culture of one of the world’s oldest and largest religions.

Focusing on images of Vishnu and Krishna that span centuries of history, the exhibition explores how bhakti (the practice of fervent, impassioned devotion to deity) influences the lives and worship of Hindu people and reveals the depth and intimacy of their relationship towards the divine.

Indeed, building a relationship with God is at the core of life’s purpose for the devoted believer, and both Vishnu, the Preserver, and his incarnation, Krishna, are highly revered deities that have both been the focus of significant bhakti worship. Through powerful images of these Gods inscribed on stone, in bronze or in paintings, worshippers and viewers alike are invited to learn that god is love and not fear, and understand how worship can evolve from practice to joyful experience of immense love and devotion. . . . .”

 

Coming Exhibition: Fine Art Asia

“Fine Art Asia”

Who:  

Fine Art Asia
Many different galleries and artists from around the world

When: Oct. 4, 2014 – Oct. 7, 2014 (Sat.-Mon 11 a.m. – 7 p.m.)(Tues. 11 a.m. – 6 p.m.)

Where: 

Hong Kong Convention and Exhibition Centre
1 Expo Drive, 
Wanchai, Hong Kong

How Much:

 General Admission ($26 USD)       Seniors 60+ ($7 USD)       Students ($7 USD)       Children 12- (Free)

More Information: Here.

“Fine Art Asia is recognised by the international art world as the most important and influential annual fine art fair in the region. The fair is known worldwide as a Hong Kong-originated art enterprise, providing a unique and unrivalled platform for art and antiques in Asia.

Celebrating its 10th edition, Fine Art Asia 2014 will host 100 of the world’s most renowned galleries. They will display the finest antiques including ancient Chinese and Himalayan bronzes, ceramics and works of art, Chinese and European antique furniture and decorative arts, Chinese textiles and jades; international fine art jewellery and antique silver; Impressionist, modern and contemporary art and design from both Asia and the West.

Fine Art Asia is staged at the peak of the important art season in Hong Kong and coincides with Sotheby’s auctions in the same venue, attracting a sophisticated, appreciative audience of major dealers, collectors, curators, connoisseurs and art enthusiasts from throughout Asia as well as from all over the world.

We look forward to welcoming you to Fine Art Asia 2014 in October!”