London

Art auction records shattered in London

“Art auction records shattered in London”

by Motez Bishara via “AlJazeera

It took a breathtaking span of 26 hours in London for more records to fall in the thriving global art market.

Works by Gerhard Richter, Lucio Fontana, and Cy Twombly were among those that set the pace at the post-war and contemporary art sales hosted by Christie’s and Sotheby’s.

The highest priced lot took place on Tuesday when Richter’sAbstraktes Bild surprised the packed auction room on Bond Street with aggressive phone bids coming in at 2 million British pound increments ($3.1m).

The final sale price of 30.4 million pounds ($46.8m) established a new auction record by a living European artist.

The anonymous bidder, reported to be an American, was represented by Sotheby’s

worldwide co-head of contemporary art,

Cheyenne Westphal.

“I think I can genuinely say it went to someone who truly wanted this painting, and he was set on buying it tonight,” Westphal said, noting Richter also happened to be her favourite artist.

A sister painting of the large abstract work was sold by

Eric Clapton in 2012 for a then-record of 21 million pounds ($32m).

The artwork, which measures 3 x 2.5 metres draped with jagged lines of reds and greens, was last sold on auction at Sotheby’s in 1999 for $607,500, generating a return of 32.4 percent annually.

“Richter is not hot all of a sudden, he has always been sought after,” said Arianne Levene Piper,

founder of the New Art World consultancy

.

“There are plenty of ultra-high net worth collectors who are willing to pay for top works.

This explains why a great painting by a great artist will sell for high prices at auction.”

Works by another European artist, Francis Bacon, failed to make headlines this auction season, despite drumming up a buzz prior to the sales.

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Coming Exhibition: Leang Seckon ~ Hell on Earth

“Leang Seckon ~ Hell on Earth “

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Who:  Rossi Rossi ~ London Gallery

When: June 27, 2014 – July 25, 2014 (Mon-Sat. 10 a.m. – 6 p.m.)

Where: 

ASIA HOUSE
63 NEW CAVENDISH STREET
LONDON W1G 7LP

How Much:  Reservations recommended with information on their website.

More Information: Here

Rossi & Rossi is pleased to announce Hell on Earth, contemporary Cambodian artist Leang Seckon’s second solo show with the gallery. The exhibition, held at Asia House, London, features a body of recent paintings, collages and video works by the artist.

Seckon grew up during the devastating period of Khmer Rouge rule, witnessing firsthand the government-enforced policies that led to famine and disease, as well as state executions. He describes this period as “hell on earth”, when the haunting prophecies found in a set of popular nineteenth-century Buddhist texts, the Buddh Damnay, were realized: “war will break out on all sides…blood will flow up to the bellies of elephants; there will be houses with no people in them, roads upon which no-one travels; there will be rice but nothing to eat”. The prophecies provided Cambodians with an explanation for the violence and destruction of the Khmer Rouge, placing the period within the cyclical pattern of Buddhist history.

The artist’s collages and paintings are intimate narratives of his memories from the period and the civil war that followed. The process of creating artworks simultaneously allows him to experience and express the freedom that was denied to him as a youth. However, Seckon’s work also acts as a warning: like the Buddh Damnay, it cautions against corruption and the destruction of the environment, drawing parallels between Cambodia’s present and its past.

A fully illustrated catalogue with an essay by renowned curator Jens Hoffmann accompanies the exhibition.

On 28 June, Leang Seckon will be joined by Dr. Peter Sharrock (SOAS) to discuss the artist’s approaches to his work and the impact of Cambodia’s turbulent and complex history on his practice. The talk is free to attend, however seat reservations are recommended. To reserve a seat please visit: leangseckon.eventbrite.co.uk.”

 

“Tessa Groshoff Finds Safety in Art”

Tessa Groshoff Finds Safety in Art

by Jennifer Larue via “The Spokesman Review

“On a white sheet of paper, Tessa Groshoff spills her secrets.

She swirls, lines and scribbles to tell her stories in the universal language of art that words simply cannot convey.

“Art is my way of communicating,” she said. “I believe a person’s voice can be heard without words. Each stroke is a memory to be created or released, and each stroke has a purpose whether it is dark or light.” . . . .”